
Seeing the Unspeakable: The Art of Kara Walker
Gwendolyn DuBois ShawExamining Walker's striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker's pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker's life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers' sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents' generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America's racist past and conflicted present.
Binding Type: Paperback
Publisher: Duke University Press
Published: 12/06/2004
ISBN: 9780822333968
Pages: 208
Weight: 0.70lbs
Size: 9.26h x 6.16w x 0.52d
Review Citations: Black Issues Book Review 05/01/2005 pg. 37
Foreword 05/01/2005 pg. 55
Library Journal 11/01/2004 pg. 102
Foreword 08/19/2009
