Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

Caroline Joan S. Picart
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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

Binding Type: Paperback
Publisher: Palgrave MacMillan
Published: 11/07/2013
ISBN: 9781349458196
Pages: 243
Weight: 0.66lbs
Size: 8.50h x 5.50w x 0.54d