{"product_id":"culture-of-curating-and-the-curating-of-cultures-9780262529747","title":"Culture of Curating and the Curating of Culture(s)","description":"\u003cb\u003eHow curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship.\u003c\/b\u003e\u003cp\u003eOnce considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In \u003ci\u003eThe Culture of Curating and the Curating of Culture(s)\u003c\/i\u003e, Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it.\u003c\/p\u003e\u003cp\u003eO'Neill describes how, by the 1980s, curated group exhibitions--large-scale, temporary projects with artworks cast as illustrative fragments--came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. \u003c\/p\u003e\u003cp\u003eO'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated--and authorized--the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. \u003ci\u003eThe Culture of Curating and the Curating of Culture(s)\u003c\/i\u003e documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e MIT Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/02\/2016\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 9780262529747\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 194\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.90lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.90h x 6.90w x 0.50d","brand":"Paul O'Neill","offers":[{"title":"Default Title","offer_id":44833752580277,"sku":"9780262529747","price":28.01,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0473\/0804\/6492\/files\/img_fea2ec60-22db-402b-ac35-717b606314bc.jpg?v=1732029984","url":"https:\/\/pastforward.org\/products\/culture-of-curating-and-the-curating-of-cultures-9780262529747","provider":"Past Forward","version":"1.0","type":"link"}